There is more to be said about Hayao Miyazaki, co-founder of the prestigious Studio Ghibli, than could ever be put into reviews of all of his movies, let alone of one, and never mind his last. The Wind Rises, a dramatized but elegant biography of aircraft designer Jiro Horikoshi, is an artistically gorgeous send-off with some notable writing and pacing issues; despite feeling thematically divided and in some places unpolished, the film for the most part does prove itself worthy of Miyazaki’s name and of a place in his decades-spanning animated canon.
Life is a bundle of changes for 11-year-old Riley Anderson. A new home, a new state, a new school, a new group of friends. And change can be a scary thing, especially when it comes at a cost. Riley’s unstable circumstances affect how she relates not only to other people but to her own disorganized emotions, and in developing its heroine so strongly as a character and a human being, Pixar’s latest film Inside Out distinguishes itself not merely as one of the long-acclaimed studio’s finest films, but also as one of the most thematically mature and important animated films to come along in a while.
Forget May the Fourth, how about some Fifth? This post is dedicated to a dear friend of mine who loves this movie, has a birthday today, and is currently on a mission trip halfway around the world. You can see a sample of the work she is doing for the Lord and for people here.
Korben Dallas is your ordinary 23rd-century taxi driver who has an unexpected encounter with a gorgeous girl who so happens to be key to saving the universe. Aliens and a greater evil are threatening innocent people everywhere, and they and the rest of this delightfully absurd but thoroughly messed-up film are about to learn why you just don’t mess with Bruce Willis, Milla Jovovich … or Chris Tucker.
Artificial intelligence really is a doozy–every time you turn around, it seems another robot has turned rogue on its well-meaning maker and needs to be put down. Who better to do the job than Marvel’s delightfully imperfect and thoroughly lovable Avengers, and who better to be responsible than … Tony Stark? Besides demonstrating the clear dangers of a lack of communication, Age of Ultron improves on its excellent predecessor in essentially every way and manages to add in a bigger heart and a greater sense of groundedness in the process, making this a prime example of what a summer superhero film can be.
A romance broken down to its basic elements, rebuilt with the utmost conviction, and then given a much more forward-thinking ending than you might expect: this is Once, a modern musical set in Dublin where intimacy is expressed through devotion and attention, not through shed clothes. Two people become acquainted, spend time with one another, work hard to create something greater than what either could have done alone, and respect and appreciate one another no matter where their lives happen to lead. And sometimes that’s all a movie needs to be an utter success.
If you love foreign animated films like Studio Ghibli’s fare, Persepolis will be right up your alley. An adaptation of co-writer/director Marjane Satrapi’s biography, this hilarious, heartbreaking, and wonderful film tells the story of the young ‘Marji’ as she grows up during Iran’s Islamic Revolution and its aftermath.
On tonight’s very special edition of Projected Realities, we salute the passing of Leonard Nimoy, an entertainment icon whose many roles spanned the likes of Dragnet, Bonanza, The Twilight Zone, The Man from U.N.C.L.E., Mission: Impossible, and of course Gene Roddenberry’s magnum opus.
Director J.J. Abrams’ take on Star Trek is a relentlessly exciting and accessible work that despite a few inside jokes requires no advance knowledge of the series or its ten earlier movies to enjoy. The simple story is given the finest presentation and its own continuity, thoroughly invigorating this long-standing franchise and making for a wonderfully engrossing watch.
Six simple letters with devastating implications, “loopers” are time-traveling assassins who come from a future where such abilities and technology have been outlawed. The film that shares their name features the talents of Joseph Gordon-Levitt, Bruce Willis, and Emily Blunt, and while all of the performances are very strong, the film’s production values are rather hit-or-miss, and the story feels like a waste of its intriguing if unsettling ideas.
Happy Valentine’s Day! (?)
Brokeback Mountain is a story of two sheepherders, played by Heath Ledger and Jake Gyllenhaal, who develop a relationship that endures through decades, marriages, work issues, children, and other “obstacles.” Overflowing with cinematic wonders as well as glaring narrative issues, the movie feels divided against itself and is ultimately more underwhelming than any amount of controversy set against it would really warrant.
Someone you dearly love has a tremendous burden they can’t bring themselves to tell anyone about. Do you know how to help?
Take Shelter narrates a man’s terrifying visions of a forthcoming storm while showing how his well-meaning but irresponsible “preparations” threaten to tear apart his life and his loving family. It is a difficult movie to watch, but it is every bit as necessary and valuable as it is disturbing.